Vile's casual and laid-back lyrics as well as his delivery also add to the warmness of the record. He's just hanging out, jamming, and kind of singing whatever comes to mind. And for the most part it works really well. There's not any sort of mystical depths to explore in his lyrics, no complex and vague metaphors; just straight-forward life experience and many times simple life philosophy. He wants to appreciate the world and the people around him for who they are, and contribute positively through his music. The whole of Goldtone lyrically is about him finding happiness in his music and being able to share that with others. He is striving to work out his stress and problems into "golden tones." Its a very positive record overall. There is a sense of hope brimming from it that made it a real pleasure to visit over and over again.
It is a long album and the average track length is about 6 minutes, but the majority of these tracks use their length to great advantage. The record is book-ended by the two longest (and best in my opinion) tracks: starting with Wakin on a Pretty Day and ending with Goldtone. Wakin... is easily my favorite track on the record. The guitar riffs, the wonderfully catchy melody, the way the drum beat changes halfway through to a more propulsive beat, that slide guitar, the slow crescendo of the song working toward an awesomely epic guitar solo, the low-farty synth/organ/feedback (?) in the background towards the end of the song, and perhaps best of all: it never gets boring in its almost 10 full minutes. That is a difficult feat, but both Wakin... and equally lush and beautiful Goldtone pull it off with aplomb.
The track Too Hard was the only one that I felt wore out its welcome with its lack of melodic development and almost bored sounding delivery from Vile. Not to say that it is a terrible song. There is a perfectly great 4 minute song to be found, but those 4-ish minutes worth of awesome are stretched over 8 minutes on the album. It just goes on a tad too long and was the only real faltering point on the album for me. But this stumble is quickly rescued by the punchy and (relatively) short Shame Chamber that follows it; with its driving beat and great background vocal yelps. The rest of record is smooth and sunny sailing.
Up Next: Wall of Voodoo's 'Call of the West' (by reader request!)
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